Highlights from 2015 – 1st Quarter

2015-04-09 by . 1 comments

Top Stats

The question with the highest votes was Is there a Vulcan funeral blessing? asked by Iszi.

The two questions with the most views (by a narrow margin of 200 some odd views between them) were Why is ‘Belgium’ the rudest word in Hitchiker’s Guide to the Galaxy? and Why do people risk death by joining Starfleet if not for money or preservation of their homes? asked by Dries and Emissarry respectably.

The top voted answer was user42365‘s answer to Is there a Vulcan funeral blessing?. Second place was phantom42‘s answer to Why did Peter Quill wait 26 years to open his mother’s gift?

Top User Picks

SSumner is like, totally, obsessed with Star Wars.

They liked the questions:

They liked the answers:

Richard liked the following questions:

And my answers to them weren’t half bad, either, if I can toot my own trumpet.

Darth Melkor liked the top voted question, Richard’s answer to the Neo question, additionally:

On the Neo question he said:

Richard got an awesome answer to this one precisely one minute before I did, and did a much better job of it than I did too, so it’s worth a shout-out

Author Picks

If I had to choose my favorite questions (which I don’t, but I will) they would be:

All asked by Tango and answered by Jack B Nimble.

After researching the Adventures of Superman series questions for several hours everyday for five days I finally stumbled upon a book called Flights of Fantasy: The Unauthorized but True Story of Radio & TV’s Adventures of Superman, which I decided to buy on the hope of finding the answers to the two questions. Fortunately, I did.

Jack’s Bad Movies – Yor, the Hunter from the Future

2015-03-23 by . 4 comments

I watched this movie as a kid and thought it comically bad. So now I’ve re-watched it so I can share its awfulness.

IMDB’s description

A warrior seeks his true origins in a seemingly prehistoric wasteland.

Yor, the Hunter from the Future opens in a prehistoric setting where an old man and his adopted daughter are hunting a small creature. Suddenly they are attacked by a triceratops (or close enough). Who should come to their rescue, but Yor, the title character, a nomad warrior. Yor dispatches this massive dinosaur with a stone axe. After all the hard work is done then some other people arrive to help. For saving the old man and the woman (Ka-Laa) Yor is treated to a celebration dinner back at the village.

Yor, the Hunter from the Future.

Yor, the Hunter from the Future

Ka-Laa is clearly smitten by Yor, and proceeds to dance for him and bring him drink. Throughout this movie Ka-Laa is constantly asking her adopted father why Yor seems so different from other men. Which is pretty stupid of her, because the differences are obvious. Yor is the only man anyone has ever seen with blonde hair, he doesn’t wear a shirt, and he has a mysterious medallion hanging around his neck. The village wise-man asks about Yor’s medallion, to which Yor has no answer. He then informs Yor that there is story about an ‘angel’ in the desert who has a similar medallion.

The party is only just started when a rival clan of black fur wearing men attack the village. They kill most of the men and kidnap the women. After killing a half a dozen or so of the raiders, Yor manages to escape with Ka-Laa and her father. They decide it is important to rescue the captured women. While tracking the Black Fur Clan, Yor and company is captured. The leader of the clan takes Yor’s medallion, believing it to the be the source of his fighting prowess (I personally believe it is on account of his toned muscles and the blonde hair). Yor somehow escapes, uses a large bat as a hang-glider, rescues Ka-Laa and her father, and then promptly destroys this cave settlement with a massive flood. What about the captured women they came to save? We don’t know their fate, but I assume they drown.

Yor and company

Yor and company

Yor and company now head into the desert to find the ‘angel’ woman. Yor enters the village of the Sand-People, who would be better described as Mud-People, and is promptly captured. For all Yor’s fighting ability, he sure gets captured a lot. Yor is brought to Ayshe, which is a blonde woman who wears a medallion which matches Yor’s. Ayshe lives in a slowly melting ice cave, which has other people also wearing medallions frozen in ice. She is a prisoner, as the Sand-People worship her, but also won’t allow her to leave. Ayshe says that all strangers who come to the village are sacrificed, and Yor is no exception. This means there is no way the wise-man from the village could have heard about Ayshe and her medallion, but whatever. Yor manages to escape, grabs a large flaming sword, and reaps destruction on the village.

Yor and Ayshe meet up with Ka-Laa and the old man. Ka-Laa is extremely jealous of Ayshe, since Yor is obviously very taken with her. Her adopted father says “the men in our village have multiple wives, why can’t Yor have two?” Ka-Laa is far too feminist and progressive to have to share her man with someone else, and promptly goes off to have a fight to the death with Ayshe. As they are rolling around in the sand attempting to kill each other, the Black Fur Clan shows up. Somehow they survived the flood which ruined their settlement. Yor and the old man, who is an accomplished archer, end up killing them. But not before Ayshe falls and hits her head on a rock and dies. Prehistoric medicine is the worst, but at least this clears the way for Ka-Laa to possess Yor only for herself, just like the selfish woman that she is. Yor gives Ka-Laa Ayshe’s medallion, probably as a prize, for helping to get her killed.

Ayshe, the second wife Ka-Laa would never let Yor have

Ayshe, the second wife Ka-Laa would never let Yor have

Yor and company are then traveling and come upon a group of teenage girls being attacked by a Stegosaurus. Yor and the old man manage to kill it. Small wonder dinosaurs became extinct, given the ease in which they are killed. The girls are so grateful they take them to their seaside village. Upon arriving the chief tells Yor that his daughter (the oldest of the ones saved, but still probably only 15 or 16 years old) belongs to him now. Yor says he already has a woman, and won’t take her. This is probably because Yor now knows Ka-Laa would kill the girl otherwise.

What would have been Yor's third wife, if Ka-Laa hadn't been such a monogamous prude

What would have been Yor’s third wife, if Ka-Laa hadn’t been such a monogamous prude

The chief of village says a strange creature came and terrorized their village with heat and lightning, and with great difficulty they killed it. When Yor goes to examine the remains, he finds a large spotlight which has a radio broadcast. The chief tells Yor the strange creature originated from an island in the ocean which is surrounded by storms.

Later that evening the village is attacked by planes firing laserbeam weapons. It destroys the village and kills a bunch of people. Yor’s backup wife is spared, but her father, the chief dies. By now we are starting to see a pattern to Yor’s life and we now realize why he is a nomad. It is because every village he comes in contact with gets destroyed in some way or another (current tally, four).

Yor, Ka-Laa, and the old man (who might be named Tag, I didn’t bother to remember) then take what seems like the only remaining fishing boat from the surviving villagers and head out into the ocean. They are caught in a huge storm, and Yor is lost overboard, Ka-Laa and her father crash into rocks. Roll credits! Oh wait, they survived.

Yor awakens on a beach and begins wandering around. In a futuristic room, a man in a dark cloak watches via a crystal ball and orders Yor’s capture. Yor is promptly attacked and captured (like always). He did manage to decapitate one of the men first with a rock, only to discover it was a robot. Yes, Yor decapitated a robot with a rock. Yor awakens in a futuristic room with a woman monitoring his condition. She tells him is the son of a resistance leader who fought against the Overlord and was banished to the mainland. This woman (and seemingly everyone on the island except the Overlord) is also a member of the resistance. The Overlord apparently wants to get rid of the human condition known as “being alive and free of will” in his subjects and turn everyone into loyal robots.

Yor and the robots

Yor and the robots

Meanwhile Ka-Laa and Tag are on the beach and get rescued by a resistance fighter from the robots. They hatch a plan to detonate the nuclear reactor on the island and escape to the mainland via a shuttle they have prepared. Yor is allowed to wander around the facility looking for Ka-Laa, in the hopes that he’ll lead the robots to the resistance. After a bunch of aimless wandering, Yor finally meets up with Ka-Laa and the race is on to plant the bomb before the robots get them. Yor kills a robot with his bare hands, and then picks up its laser weapon and begins firing it with perfect precision. I guess he really is the Hunter from the Future, considering he grew up alone on the prehistoric mainland.

Yor stabs the Overload with large pole (instead of just shooting him). This is to create the illusion of suspense, as after Yor plants the bomb on the reactor, the Overlord has like five minutes or something to turn it off before the place goes up in smoke. The resistance manages to override his robots, so eventually the fighting stops and the few island survivors, Yor, Ka-Laa, and Tag head to the mainland to begin a new life. Yor’s curse of finding a new settlement and seeing it destroyed is once again realized as the island explodes.

See the trailer it all its glory (which I would embed if I could). Yor, The Hunter from the Future

Filed under Bad-Movies

Review – Cinderella

2015-03-13 by . 0 comments

If you are familiar with the 1950 animated production of Cinderella also produced by Disney, then the latest live-action version may not offer anything new to you. This new version is simply a retelling of that 1950s classic. Both versions are derived from Cendrillon, by Charles Perrault in 1697; Featuring a girl forced into servitude, a fairy godmother, the changing of pumpkins and animals into a coach with horses and footmen, and glass slippers.


The casting is spot on. Lily James as Ella plays the part of the humble country girl well. Cate Blanchett is the perfect evil step-mother, because this is how you believe she acts in real life. When asked by Cinderella why she is treated as she is Blanchett says “Because you are young, and beautiful, and good.” and then stops herself. The realization is that the step-mother is none of these things and resents Cinderella for it. The two step-sisters are sufficiently stuck up and insensitive, and the goose plays a convincing goose. Richard Madden plays the Prince, who is given something of a nickname of “Kit,” but does not go by the name of “Prince Charming.”

The primary complaint I heard about the film is that it offers nothing new to the Cinderella story. It is essentially a retelling of the animated version, despite what the previews claim. Because the last year’s Maleficent changed and added to the story of Sleeping Beauty, the expectation, for some, was that this new Cinderella would do the same. The example given was Ever After: A Cinderella Story which seemed to add a lot of new detail or circumstance to the Cinderella story. However, the differences can likely be explained that Ever After is closer to the Brothers Grimm version Aschenputtel than to the version Disney chose to base their films on.

There are no songs in this film, and the mice do not talk, although Cinderella clearly has some innate ability to communicate with animals. We are also given explanation of why she is named ‘Cinderella.’ I am sure many people have always assumed her name was simply ‘Cinderella’ without question. But the title character’s first name is actual Ella, and transforms into Cinderella.

Bottom-line, if you enjoy the classic Disney animated film and want to see a live-action version of that, then Cinderella will be right up your alley. If you are expecting Disney to evolve the character from their established story line, then you may be in for disappointment.

Filed under Review

Science Fiction, Fantasy and Genre

2015-02-11 by . 2 comments

One thing that I really like about the explosion in the breadth and depth of fantasy literature is the torrent of interesting ideas. Take, for example, the explanation problem in modern fantasy – a story set in the current “real” world must explain why most people have no knowledge of or experience with magic.

Unless you’ve been living under a rock, you already know the most common solution: it’s hidden. In the Harry Potter stories, the Ministry of Magic goes to great lengths to keep magic a secret. In the Harry Dresden stories, while no explicit effort goes towards keeping magic secret, most people consciously and/or subconsciously don’t want to know about the supernatural.

Another solution that authors have used is The Big Reveal. Magic and the supernatural have always been around, and hidden, but now they’re not. In the Sookie Stackhouse novels, vampires held press conferences throughout the world, announcing their existence. This worked out better in some countries than in others. The Jane Yellowrock novels also use a Big Reveal. One of the interesting parts of stories with a Big Reveal is the evolution of the attitudes towards vampires, shapeshifters, and other supernatural entities by the public at large, individual characters, and the government.

I would also like to mention a special case of The Big Reveal found in the Kate Daniels series by Ilona Andrews. In this series, magic has been dormant for hundreds of years, allowing the development of modern technology. Only magic doesn’t stay gone, and when it finally comes back, things get wild. In the stories, magic and tech are incompatible and mankind has learned to deal with whichever is in force at any given time – for example, houses have both electronic and magical lighting systems.

And then there are the authors who want to write a modern or “urban” fantasy story and don’t want either hidden magic or a reveal.

The most common form is a parallel timeline – a universe similar to our own, but where magic and magical creatures have always been public knowledge. The level of parallelism can vary significantly. The universe of Anita Blake, Vampire Hunter, contains much of the same history, and many of the same pop-culture elements. The first volume in the story begins shortly after vampires are granted rights as citizens with legal protections – though not quite the same protections as normal humans, since normal humans can’t mesmerize prison guards.

A less common form of “urban” fantasy is set in a completely different universe, with different geography, countries, societies, history, languages and cultures. The recognizable trappings of modern society such as cars, electric lights, printed books, modern houses/apartments/condos, and cities with concrete and asphalt are present, but none of the brands, artists, or names are recognizable. I’ve only run into a couple examples of this type, the best being a newish series The Others by one of my favorite fantasy authors – Anne Bishop.

Now somewhere out in the audience, there’s someone thinking “four distinct sub-genres.” My only comment about that is: hogwash.

I deliberately withheld one important detail about the Kate Daniels series. It’s set in the future. And they have technology that’s in advance of our own. Confusing, right? Is it even really fantasy? Or is it some kind of funky science fiction sub-genre? Honestly, I think it’s the wrong question.

The idea behind genres and sub-genres is to divide everything up into nice, neat categories. Then we can say that a given book is LGBT, alternate history, steampunk, for example. And dividing things up into these nice, neat categories is supposed to help us find the books that interest us, and avoid the ones that don’t.

Except that science fiction and fantasy writers don’t write stories so that they can fall into nice, neat categories. They write stories with fresh, new ideas. They write stories that push past the boundaries of what we’ve imagined so far, into realms that we had not yet previously imagined. That’s when writers are at their best – coloring outside the lines.

So, if we want to see great SF&F writing, do we really want to keep drawing new lines for authors to color inside of? I sure as heck don’t think so.

To be honest, I’m not even entirely sure that we need to separate science fiction and fantasy in the first place. Instead, I would just call it all speculative fiction, which has the advantage of having a recognizable acronym. Then we can talk about distinct story elements – the things that we used to call sub-genres. The difference being, that a work can have whatever DSEs are appropriate. The Kate Daniels series has a future setting, advanced technology, magic, vampires, and also shapeshifters. Not exactly a combination that fits well into a traditional sub-genre system.

Oh, and just to shake things up, how about a story with current setting, alien invasion, and vampires. Seriously. Out of the Dark by David Weber. Yeah, that Weber. Go look it up if you don’t believe me.

And quit trying to shoe-horn things into nice, neat categories. Life doesn’t work that way. Just ask the platypus.

Filed under Lessons-Learned

Salt Lake Comic Con FanX 2015 – Heroes, Villains, and Anti-Heroes in Harry Potter: Who’s Who? Panel

2015-02-04 by . 1 comments

I attended a panel titled Heroes, Villains, and Anti-Heroes in Harry Potter: Who’s Who?.

The panel was run by two college professors, a YA novelist, and 17-year-old Harry Potter enthusiast.

This panel was more of a discussion about villains and anti-villains in the Harry Potter world. Panelist Paul Draper, an anthropologist, started out by saying that Lockhart was his favorite villain. He said “Lockhart is a minor villain who is only looking out for himself, he is not a global villain.” He went on to say there are lots of minor villains.

He also gave an interesting blurb on the difference between a hero and villain.

A hero says “I have a good side and a bad side. I have to suppress my bad side and choose my good side.” A villain says “I only have a good side.”
It has been said that “everyone is a hero in their own story.” Voldemort saw himself as a hero. In his mind, everything he was doing was good.

There was some discussion that because horcruxes negatively influence people, were the Dursley’s such awful people because Harry “the Horcrux” Potter was living with them for so long? This question was quickly countered by the realization that Hermione and Ron spent all those years with Harry and they didn’t seem to be affected. Although things did seem to improve for the Dursley’s now that Harry was gone 10 months of the year. This question of whether Harry was a proper horcrux has been asked and answered.

There was quite a bit of discussion of how kids sorted into Slytherin are automatically hated at Hogwarts by all the rest of the students. They are viewed with fear and suspicion. When Malfoy is sorted into Slytherin he is immediately boo’d by the Weasley twins. The thing no one mentioned (which I suppose they forgot) was that Ron had just been teased by Draco for being poor. He likely mentioned this to his brothers. In my mind the twins were probably booing Draco the person, and not Slytherin the house. Maybe that begs the question of Why did Slytherin House not get disbanded? But of course, we have an answer to that question.

The panel could have benefited from an expert from Scifi.SE. Perhaps next year they’ll ask Slyterhincess (aka JKR) to be on the panel, in order to put these questions to rest.

Looking back, the panel spent only a minimal amount of time answering the panel topic. They named Lockhart and Malfoy as minor villains, Snape as an anti-villain, and Hermione and Ron as the heroes that enabled Harry to be the hero.


Salt Lake Comic Con FanX 2015 – Tom Felton Panel
Harry Potter Movie Marathon Highlights

Filed under Conventions

Salt Lake Comic Con FanX 2015 – KIDCON and Disney Princesses

2015-02-03 by . 0 comments

The Comic Con of yesteryear may have been for single men who loved comics and pop-culture, but the Salt Lake Comic Con goes out of its way to make sure families feel welcome at the convention. The number one rule of cos-play says “Salt Lake Comic Con is a family-friendly convention.” There is also a section of the convention floor titled KIDCON. This is an area with activities, games, and photo ops with Disney Princesses.

KIDCON corner, as seen through the laser obstacle course.

KIDCON corner, as seen through the laser obstacle course.

The bunny hop game.

The bunny hop game.

The laser line obstacle course with Princess Elsa in the background.

The laser line obstacle course with Queen Elsa in the background.

Hiccup and company.

HIccup and company.

Giant Big Hero Six at the entrance of Salt Lake Comic Con.

Giant Big Hero Six at the entrance of Salt Lake Comic Con.

The number of princess, both in cos-play and as features of booths, is staggering. There was a dedicated Princess Tea Party booth offering free tea parties with kids’ favorite princess. Many attendees came as their favorite princess. The children love it.

Last year after the regular Salt Lake Comic Con my three-year-old niece told my wife:

I know you met the real Elsa, I saw a picture of it.

She was referring to a picture of my wife posing with Queen Elsa her mother showed her on Facebook. You expect Elsa and Anna to be the most popular, because of the recent movie, but princess from all eras were present including: Belle, Snow White, Rapunzel, Aurora, Merida, and Ariel.

Princess Merida, Queen Elsa, Cinderella, and Belle (and others).

Princess Merida, Queen Elsa, Cinderella, and Belle (and others).

Elsa and Anna running a princess party booth.

Elsa and Anna running a princess party booth.

This stage coach was for promoting the new live-action Cinderella movie.

This stage coach was for promoting the new live-action Cinderella movie.

Cinderella and Rapunzel.

Cinderella and Rapunzel.

Princess Aurora, outside the Princess Tea Party booth.

Princess Aurora, outside the Princess Tea Party booth.

Salt Lake Comic Con Fan Xperience (and the regular one) is a place the whole family can enjoy.

Filed under Conventions

Featured Answer: How long was Bill Murray’s character supposed to be in a time loop in the film “Groundhog Day”?

2015-02-02 by . 0 comments

February 2nd is Groundhog Day.

How long was Bill Murray’s character supposed to be in a time loop in the film “Groundhog Day”? was asked by aceinthehole and originally answered on October 20, 2011 by DVK. He cited several different statements from the director Harold Ramis. The question quickly drew thousands of views and the answer was accepted.

Roughly 4 months later (5 days after the question was circulated on Groundhog Day) a new answer was submitted. Screenwriter of “Groundhog Day” Danny Rubin submitted this answer.

Allow me to jump in here. Hi everyone. As mentioned above my original intent was that Phil would live for longer than a single lifetime. That was the point of the original script: to see how a person might change if he lived longer than one lifetime (it was always about a man who could not escape life). The studio felt that the loop shouldn’t last longer than two weeks. They were afraid the audience would freak out if it lasted any longer. Because my bookcase calendar (also mentioned above) was a specific record of passing time, Harold chose to remove it from the script, and in that way he could tell the studio it lasted two weeks or whatever and nobody could point to anything in the script that contradicted that. This explains why the length of Phil’s incarceration strikes so many as a mystery: it was designed to be a mystery. Still, the sensibility of the characters as they progressed I think required a guiding clock, and Harold provided that. His sense was that it lasted about ten years, and I think the movie reflects that sensibility.
Still, I think it’s fun the way people keep guessing and counting and arguing. My answer shouldn’t discourage that pursuit. Who ever said that I know what I’m talking about, anyhow?

This answer was accepted and became the 4th highest voted answer on the site (203 votes at the time of this article). The “Word of God” is a powerful thing.

Filed under Question of the Week

Salt Lake Comic Con FanX 2015 – Tom Felton Panel

2015-01-31 by . 2 comments

Friday January 30th at 3:00pm 2500 people filed into the South Ballroom at the Salt Lake Comic Con Fan Xperience 2015. They were there to participate in the panel featuring Tom Felton, better known to most as Draco Malfoy from the Harry Potter movies.

Tom Felton comes across as a really great guy. When asked why he always seems to play evil or unliked characters he jokingly said he that is how he really is, and he just acts when he isn’t on screen.


The following questions were answered during the panel. While they were not personally asked by me, they lined up with the questions asked by members in the meta post.

How do you really feel about being sorted into Gryffindor (on the Pottermore website)?

I called JK up and said it must have been a glitch in the system. But she said I was sorted into Gryffindor because that is what I am.

Earlier in the day while taking photos with fans, a certain fan asked him to wear a Gryffindor scarf since that was his house. Relating this in the panel he said:

I very begrudingly wore a Gryffindor scarf for a photo op.

His general sentiment was that he would have preferred Slytherin.

Do you agree with JKR’s view expressed in interviews, that all the girls who are deeply attracted to Draco (as opposed to the actor) are way wrong and shouldn’t be?

Although he does have some redeeming qualities in the later films, he is still a slimy git.

How much input into the personality of your character did you have from JKR?

I picked her brain over the years to try and better understand his character.

In light of Draco Malfoy’s early characterization as a one-dimensional bully, if you’ve read J.K. Rowling’s updated information about Draco, what are your thoughts on Draco’s development into an almost reclusive figure, who eschews his parents’ Muggle-hating values, collects Dark Arts [artifacts], and develops a fascination with Alchemy? As Draco’s actor, does this surprise you?

I really enjoyed the background coming out on Pottermore.
I realized he really didn’t fit into the normal Malfoy family. So later in his life he got to reinvent what it meant to be a Malfoy.

From here are some questions which I thought were interesting or otherwise noteworthy.

In a special feature on Chamber of Secrets you mentioned being Draco hasn’t helped you get girls. How was that changed now that the films are done?

I actually met my girlfriend of 7 years in the Great Hall at Hogwarts. She was an extra, a Gryffindor (laughter from the crowd) At the end of the last film, when you see me with a wife and son, Jade got to play my wife. That is not really my son.

In case this isn’t clear, Jade, his girlfriend of 7 years whom he met on the set, played his wife in the epilogue scene where Harry sees Draco with his wife and son.

What are some of your favorite moments from being on the Harry Potter set all those years?

The robes they had us wear had really deep pockets. So I used to stuff candy and sodas and Redbulls in there. By the end of the day I’d get to wardrobe and he would find all this chocolate in the pockets. Eventually they decided to sew up the pockets on all the robes, probably because of me.
I actually used to give Redbull to ten-year-olds. I got told off on that too.
Michael Gambon hid cigarettes in his beard.

What is your favorite film from the series?

When I was a kid it was Chamber of Secrets. Now I would say Half-Blood Prince is my favorite.

What did you do to first prepare for the role for Draco?

I don’t have anything close to direct quotes, but I’ll relate the story he told. When he went to audition he hadn’t read any of the books. It was an open audition so there were hundreds of kids there. Chris Columbus (director) was walking down the line asking kids what their favorite part of the books were. It wasn’t until Chris asking the boy next to him that he realized he didn’t have an answer. And he heard the boy say how great is was going to be to see Gringotts.

So when Chris turned to me I said something like: “Those Gringotts, definitely. I can’t wait to see them fly. I love me some Gringotts.” He just looked at me, and I think he decided I would make a good Draco.

When asked about current or future projects Tom Felton said that he has a documentary coming out about super fans and conventions. He said it would air on the BBC in April of 2015, and hopefully in the United States sometime after that.


Harry Potter Movie Marathon Highlights

Filed under Conventions

The (new) Star Wars Canon guide

2015-01-28 by . 7 comments

Over the years, there have been 1366 Star Wars tagged questions on SFF:SE. These have attracted some great answers from a wide variety of sources including the Star Wars films, comics, games, TV shows, novels, art-books and RPGs. The number one response asked in comments is always “how canon is that source?“.

With the purchase of LucasFilm by Disney there have been some recent changes to the way in which Star Wars licensed properties are managed. I thought that now would be a good time to provide the definitive guide (I wish) to the New Star Wars Canon.

Canonicity in the Star Wars universe is, as of April 2014 determined by a working group comprised of representatives of Disney and LucasFilm known as the Lucasfilm Story Group.

The primary change made is that the old canon system (G-Canon, T-Canon, etc) has been nuked from orbit and only the original six feature films (the Original Trilogy and the Prequel trilogy), Clone Wars TV show, Clone Wars film and Star Wars : Rebels TV shows are considered to be part of the official Star Wars film canon.

All other properties (with a few small exceptions) are now lumped together under a single banner known as Star Wars : Legends. Those exceptions seem to include the film’s novelisations (where they elaborate on things seen on screen), the official StarWars.com Data Bank (which replaces the old Data Bank website) and elements of the Jedi Path Manual.

“While Lucasfilm always strived to keep the stories created for the EU consistent with our film and television content as well as internally consistent, Lucas always made it clear that he was not beholden to the EU. He set the films he created as the canon. This includes the six Star Wars episodes, and the many hours of content he developed and produced in Star Wars: The Clone Wars. These stories are the immovable objects of Star Wars history, the characters and events to which all other tales must align.”
LucasFilm Statement – Apr 2014

Those other film and TV properties that were originally deemed to be G-Canon and T-Canon (the Star Wars Radio Dramatisations, Star Wars Holiday Special, Ewoks films, Star Wars : DroidsTV show and Star Wars: Ewoks TV show) are now all considered to be Legends properties.

Moving forward, all future properties (films, books, comics and games) will be licensed and fully compliant with the Star Wars Story Group’s rules regarding canon status, unless explicitly stated. Excluding the exceptions listed above, the full list of canon works (past, present and near future) now stands as follows:

  • (Film) Episode I: The Phantom Menace (and the novelisation by Terry Brooks)

  • (Film) Episode II: Attack of the Clones (and the novelisation by R. A. Salvatore)

  • (Film) The Clone Wars (and the novelisation by Karen Traviss)

  • (TV Show) The Clone Wars: Season 1-5

  • (TV Show) The Clone Wars: The Lost Missions

  • (Comic) Darth Maul: Son of Dathomir by Jeremy Barlow

  • (Novel) Dark Disciple by Christie Golden (not yet released)

  • (Comic) Kanan: The Last Padawan by Greg Weisman (not yet released)

  • (Film) Episode III: Revenge of the Sith (and the novelisation by Matthew W. Stover)

  • (Novel) Lords of the Sith by Paul S. Kemp (not yet released)

  • (Novel) Tarkin by James Luceno

  • (Novel) A New Dawn by John Jackson Miller

  • (Novel) Servants of the Empire: Edge of the Galaxy by Jason C. Fry

  • (Novel) Ezra’s Gamble by Ryder Windham

  • (TV Show) Star Wars Rebels: Spark of Rebellion

  • (TV Show) Star Wars Rebels: Season 1

  • (Film) Episode IV: A New Hope (and the novelisation by Alan Dean Foster)

  • (Comic) Star Wars by Jason Aaron

  • (Comic) Star Wars: Darth Vader by Kieron Gillen (not yet released)

  • (Comic) Star Wars: Princess Leia by Mark Waid (not yet released)

  • (Short Story) One Thousand Levels Down Alexander Freed

  • (Novel) Heir to the Jedi by Kevin Hearne (not yet released)

  • (Film) Episode V: The Empire Strikes Back (and the novelisation by Donald F. Glut)

  • (Film) Episode VI: Return of the Jedi (and the novelisation by James Kahn)

  • (Short Story) Blade Squadron by David J. Williams

  • (Film) Episode VII: The Force Awakens (and the novelisation). (not yet released)

Original answer to the question How is canonicity of derivative works determined for Star Wars?

Filed under Question of the Week

Agent Carter – Pilot Episode

2015-01-07 by . 3 comments

This mini-series begins with some of the final scenes from Captain America: The First Avenger. With Steve Rogers piloting the large ship into the ocean and Peggy Carter on the radio.

The year is 1946, and Peggy Carter is still heartbroken over the loss. She lives in a small single room apartment which she shares with another girl. The apartment only has one bed, with they apparently share. Not in a scandalous kind of way, but rather in a way that depicts real life living in New York. She works for the telephone company, but when she arrives is led into a secret area which is the base of operations for the Strategic Scientific Reserve.

Agent Carter

Peggy Carter (Hayley Atwell) is a strong willed, independent woman in a (presumably) man’s job, where the men don’t really want her around. She is frequently asked to fetch coffee, file reports, answer the phones, and otherwise be a glorified secretary who happens to carry a gun.

Dominic Cooper reprises his role as the young Howard Stark. It seems a number of his more dangerous inventions have suddenly turned up on the black market and are being sold to enemies of the United States. He is subject to congressional hearings on the matter and no doubt is being investigated by the real FBI, but SSR makes finding him and his inventions a top priority. Stark seeks the help of Agent Carter to clear his name and find his inventions. Agent Carter must do this behind her superiors’ backs, because Stark is assumed guilty until proven innocent, and she is too much of a dame for important work. Stark lends her the assistance of his butler and confidant Edwin Jarvis.

Agent Carter is picking up right where Captain America ended (if you don’t watch the final scene where he is in modern day New York). Captain America the person is still a part of 1940s pop-culture. He has a radio program, to which poor Peggy (and the watching audience) must hear everywhere she goes. He’s still being mentioned in the newspaper, and no doubt his famous trading cards are in circulation.

I’m not exactly sure what the SSR’s mission is now that the war is over. Where as before they were a function of the military, with Colonel Chester Phillips acting as the leader, now it appears to just be some g-men bureaucrats. Furthermore, I’m not sure what jurisdiction the SSR has. Apparently they can interrogate people and do company wide inspections personnel.

The Marvel Movie Wiki has this to say:

The S.S.R. continued for a short time after the war, taking on cases such as the Zodiac, but was disbanded in 1946 and its former membership absorbed into a new agency, S.H.I.E.L.D.

Given that Agent Carter takes place in 1946, and a short run mini-series with 8 episodes, I’m guessing this series will end with the creation of S.H.I.E.L.D. Last night was a 2 hour premiere, with two 1 hour episodes back to back, which I guess means there will only be 6 more airings.

Filed under Review